While in NYC recently, I found a little time to go up to
MOMA to see
Marina Abramovic's career retrospective as well as her Artist is Present exhibit. Truth be told, I was more interested in the Henri Cartier Bresson exhibit, but was underwhelmed by it but was drawn to
Abramovic's work instead. It consists of the artist actually being present, sitting in a chair at a table, across from which there is another chair. Visitors are encouraged to sit in that other chair and visit silently with the artist for as long as they want.
Screen grab from MOMA live videoMarina, is actually in her own chair the entire day without moving. That is in itself a tremendous physical feat. The real magic though seems to be happening with those that visit with the artist. See some photos of them below. You can see the entire collection at this
Flickr Photostream from the exhibit.
I did not expect to be moved by this at all. I was curious, but chalked that up to a lingering ironic pleasure of making fun of performance artists. I have to say that is was quite fascinating. The scene is ritualistic on the same level that churches and theater seems to operate on. The site of all those New Yorkers and people of all sorts of nationalities waiting for a chance to sit quietly with another person raises all sort of questions; questions about time, modern life, connections between people, communities, emotions, our interactions, our selves, even art itself. The artist offers herself up as a catalyst to trigger these and probably a multitude of other reactions in the viewers minds. Plus, when was the last time you saw a New Yorker sitting still for more than a couple minutes?
Going even a bit further, it seems that the experience is so moving for some that they come to tears. See this site for portraits of people that have cried while sitting with the artist -
Marina Abramovic Made Me Cry.







